Episode 79 - Toy Story

[00:00:16] You swear to tell the truth, the whole truth and nothing but the truth so help you God.

[00:00:19] Welcome to Movie Mistrial.

[00:00:21] The podcast where we apply in about how I actuate IMDB's talk 250 movies of all time.

[00:00:29] My name is Johannes, and I am Raji.

[00:00:32] Today we're discussing another film on this playlist.

[00:00:35] The movie distance firm may not post beautiful memories.

[00:00:39] Toy Story.

[00:00:40] Toy Story is considered as semino-film by many, and it starts to voices off calm hanks

[00:00:45] Tim Allen and the Don Rickles at Mr. Potato Head.

[00:00:50] Before I begin to admire your wingspan, I have to ask how's your date going?

[00:00:54] Pretty good.

[00:00:56] Well, yeah, starting with the double on boundaries already.

[00:01:00] This was full of them.

[00:01:02] Oh yes.

[00:01:04] They're good.

[00:01:06] They're good.

[00:01:07] I told you about my drum projects so it's all set up.

[00:01:11] There's still a lot of stuff that needs to be tweaked in all it but it's psyched about

[00:01:14] that.

[00:01:15] It's cool to play again.

[00:01:16] It's funny how muscle memory is there.

[00:01:19] I played drums for real in 13 years but still was able to do a lot of stuff that

[00:01:27] I wrote and played 50 as well so it's a bit cool.

[00:01:33] Is it like right in the back?

[00:01:35] Kind of.

[00:01:36] Yeah, it's cool.

[00:01:38] Those are all parts that I created.

[00:01:40] It's kind of in my head anyway, right?

[00:01:42] But it's good.

[00:01:44] How's your date?

[00:01:46] It's not too bad.

[00:01:47] It's not too bad.

[00:01:48] I've been working on my book and you know the first of my wrote a book we always talk about

[00:01:55] the creation of this chat GPT and you know the first of my wrote my book there was

[00:02:03] no way to imagine scenes.

[00:02:06] So I want to set a scene with people in a restaurant and I had to use my imagination

[00:02:16] or Google to find an approximation of what it would look like.

[00:02:19] But with chat GPT, it's very interesting because I used this delete just create the scene.

[00:02:24] And I can use that in my imagination and I can see where the characters are and try to determine

[00:02:31] that I'm that's going to help the writing.

[00:02:33] It's very interesting to see you know how this is actually helping to bring up the imagination

[00:02:39] that I have.

[00:02:40] I mean, a lot of people have talked about all the dangers of AI and I think that those

[00:02:45] questions are valid.

[00:02:46] But I do think that there is some positives to it.

[00:02:52] And I don't think it should help you with your work.

[00:02:54] You really should write your stuff.

[00:02:57] The fact that you can, in at least that instance where you need to see what you're writing

[00:03:02] and it's pretty cool.

[00:03:05] So yeah, that's my advertisement for chat GPT.

[00:03:10] Who's our sponsor today?

[00:03:11] I'm joking, you know.

[00:03:13] I just read today that they figured out food in a 15 second clip, they can clone your voice

[00:03:19] and just do that but they stop shipping it because they are scared.

[00:03:24] They're aware that it's in the next one.

[00:03:26] It's like, huh.

[00:03:27] Okay.

[00:03:28] So the world is going to change no matter what.

[00:03:32] There's nothing we can really do about it.

[00:03:34] We just need to figure out how we adapt and create rules to govern how we use it.

[00:03:40] Because the truth about it is everything, all things change.

[00:03:44] Things change.

[00:03:45] Yeah.

[00:03:46] Push up part of that shift.

[00:03:48] All right.

[00:03:49] You know what doesn't change?

[00:03:50] Memories of all toys.

[00:03:52] Yes.

[00:03:53] It's a good segue.

[00:03:54] You'll give that a 9 out of 10.

[00:03:58] Cool.

[00:03:59] This is a segue.

[00:04:02] So let's hear some else's of Toy Story.

[00:04:06] Toy Story is a beloved animated film produced by Pixar Animation Studios.

[00:04:10] The story centers around the group of toys belong into a young boy named Andy, particularly

[00:04:15] Woody, a cowboy doll and bust light here, a space-ranger action figure.

[00:04:19] When bustier in the story collection, Woody feels threatened and jealous.

[00:04:23] They didn't your rivalry between the two.

[00:04:26] However, they must put aside the differences when they find themselves lost and must work

[00:04:29] together to find their way back home before Andy moves.

[00:04:32] Through humor, adventure, and hard-cut moments, Toy Story explores themes of friendship,

[00:04:38] loyalty, and the importance of acceptance.

[00:04:40] It has become a timeless classic, cherished by audiences of all ages, for its imaginative,

[00:04:45] storytelling, and endearing characters.

[00:04:47] That is Toy Story for you.

[00:04:53] Usually, in financial probably, safe Pixar.

[00:04:57] Probably, it's time at Pixar in a way.

[00:04:59] Right?

[00:05:00] It's a film from 1995.

[00:05:03] Let's go.

[00:05:04] I think this movie was like the first movie that made it seem viable,

[00:05:10] that we could actually create a whole film based on 3D characters.

[00:05:15] Yeah.

[00:05:16] And voice acting.

[00:05:18] We'd seen cartoons, we'd seen live action, mixed with 3D live action, mixed with cartoons.

[00:05:26] But this was like the first film that I actually showed.

[00:05:28] Hey, this is a really viable product and basically kick-stated, totally interesting

[00:05:33] genre of films.

[00:05:35] Yeah.

[00:05:36] So, yes, definitely a several film.

[00:05:39] Right?

[00:05:40] Right.

[00:05:41] And then, you know, still has a lot going for it.

[00:05:44] It looks wise.

[00:05:45] You know, I'm worried not being 95.

[00:05:46] Like that's, yeah.

[00:05:47] I agree to the turn-extend.

[00:05:49] I mean, they're always limited.

[00:05:51] I mean, let's talk about this as part of the car.

[00:05:53] I guess it should be.

[00:05:53] Let's take the car and find it.

[00:05:55] Fine, let's start the car.

[00:05:56] What's the gun of your friend?

[00:05:59] I'm going to go with head.

[00:06:01] Head to this.

[00:06:02] You know, I'm going to take the plated devil's advocate to do it.

[00:06:07] I'm going to go against this film.

[00:06:09] Okay.

[00:06:10] All right.

[00:06:11] Well, here we go, then.

[00:06:12] The witness will address this court as judge or your own.

[00:06:15] Ladies and gentlemen, I am here to destroy Toy Story as a movie.

[00:06:22] A movie that is extremely testosterone-driven.

[00:06:27] A movie that hardly has any major female characters.

[00:06:32] And it shows in the play line or the plot as a movie goes on.

[00:06:38] It starts off as a showoff between two mature men.

[00:06:44] And we never get any smoothening of the characters, because it feels like the room

[00:06:53] was filled with men who make decisions about it.

[00:06:58] The movie is afterwards seem to have softer edges, but this one doesn't seem to.

[00:07:03] I also want to point out that one of the dangers of making movies like this is that

[00:07:08] as time goes on, technology evolves.

[00:07:13] And at some point this movie may become difficult to watch for people.

[00:07:19] The flat characters, the humans are well, you know, they're interesting to see, but

[00:07:26] the dog was like the biggest culprit of time passing on.

[00:07:33] And I also think that the plot is very interesting, but I do think that there's a lot

[00:07:41] of positive circumstances that drives the plot alone.

[00:07:46] And I feel like a lot of playful coincidences to a child film so we can understand some

[00:07:52] of it, but if you're reviewing this as a movie, there's a top 250 films of all time,

[00:07:57] we have to consider that.

[00:07:58] So that's basically my plot point.

[00:08:02] OK.

[00:08:03] Toy Story is, I mean, like the ultimate kids fantasy, right?

[00:08:11] And then I think it's going to argue against a film like that where you have all these

[00:08:16] toys, these memories and two degree, I think, like we see like the different levels of

[00:08:24] toy, the way it is.

[00:08:30] So basically it's like, OK, what if my toys are alive?

[00:08:37] Like aside from like what's happening in my imagination when they play with them, right?

[00:08:43] And that's kind of cool.

[00:08:45] I think to see that there are the personified, like whatever is happening in your brain,

[00:08:51] that's also happening in real life when you're not looking.

[00:08:54] Now, what I mean with kind of the different stages of toy them, I think what's really fascinating

[00:08:59] about this is that Woody is ultimately has kind of an existential crisis because he's

[00:09:07] afraid that he's not going to be the favorite toy anymore.

[00:09:11] The fascinating thing about that is that I think like all the other toys in this room

[00:09:15] exactly what that is because I think at some point in their life, their life, it's

[00:09:20] in quotes.

[00:09:21] They were that and they were in this position, right?

[00:09:23] And they're all kind of mellow without them like, I don't know, whatever, especially with

[00:09:27] a potato.

[00:09:28] Yeah, forget about it.

[00:09:29] It's fine.

[00:09:31] And apparently he's not forgotten because Poirno learned he's getting Mrs. Potatoe to focus

[00:09:36] on this.

[00:09:37] But which is a choice.

[00:09:40] But okay.

[00:09:41] So I think just from a whimsical story perspective, it's such an interesting idea to take

[00:09:50] what you have in your imagination and then apply that to, but when you're not looking,

[00:09:55] this is actually what's happening and they all have like the real life.

[00:09:58] I think it's very, very fascinating.

[00:10:01] What I find brilliant is that you have such nostalgia for these toys,

[00:10:08] where you can just like, oh, I remember those toys soldiers.

[00:10:13] But I didn't have them, but friends of mine did.

[00:10:16] Or those monkeys or the, you know, all these references,

[00:10:21] the playblocks with the letters on them, like all that.

[00:10:26] That is so recognizable that it's truly kind of a time capsule of toys.

[00:10:35] And that's very cool.

[00:10:37] And it's something that you probably couldn't do in 10 years of kids,

[00:10:40] the same age if you were back, like what's that going to be?

[00:10:43] Like a Tomacachi talking to a switch.

[00:10:47] Like it's not as compelling, right?

[00:10:48] So it's kind of cool you have this nostalgia moment happening too.

[00:10:53] And then a story wise, I think it's also dealing with just fundamental,

[00:11:01] how do I deal with popularity or how do I deal with

[00:11:08] not being on top anymore?

[00:11:10] And I think we're seeing different attempts in this film from crazy.

[00:11:19] I'm going to kill you to over-front now.

[00:11:22] And I think that's this growth in there and at the end,

[00:11:27] that's great.

[00:11:29] And ultimately, it's also, you know, the popularity of this kind of in their own world,

[00:11:33] and it doesn't really see the world for what it is

[00:11:37] and kind of this disillusionment is interesting

[00:11:39] and how that drives into existential life crisis.

[00:11:42] But it's all kind of applying to like real situations that will happen to people when they grow up.

[00:11:46] So I think it's just brilliant in the way it's constructed because through the toys,

[00:11:50] through the stories that the toys live, we can see an example of things that will probably come

[00:11:57] away when you grow up because you will not always be the popular kid.

[00:12:00] You will maybe see you through their bullshit and all that kind of stuff.

[00:12:06] So I think it's a brilliant part.

[00:12:09] I think, you know, the interest in thinners, I've always considered,

[00:12:12] well, not when I was a kid, I didn't consider it.

[00:12:15] But I'll say that, you know, this movie came out when I was like 10, 10 or 11.

[00:12:20] I kind of was already over the other day watching movies like James Bond at this point.

[00:12:26] So the toy story came out and it was just watching like a 3D film.

[00:12:32] But you know, I would argue that this movie is made for adults in a lot of senses because it's

[00:12:39] the kids see the visuals, but the adults know what it's going on.

[00:12:46] And a movie that covers things like existentialism, the sense of depression,

[00:12:56] ideas like believing in yourself and lots of in-wendo.

[00:13:00] You know, this movie feels like it was made for adults who go to watch the movies with the kids.

[00:13:07] And I think that may be the brilliance of Pixar.

[00:13:10] But I think that, you know, like every film they are always flaws,

[00:13:14] like the idea that Buzz Lightier, who's whole premise was that he was not a toy, but it was a spaceman.

[00:13:22] Always freezes when Andy comes into the room, which is interesting, right?

[00:13:27] You would think that he would be as a spaceman, he would be able to prove this point to everyone and even to Andy.

[00:13:36] So there comes the couple of breaks in illusions where it comes to how the toys operate.

[00:13:44] I also think that the idea that this movie was made by lots of guys in the room.

[00:13:52] I mean, I guess it was a prevalent feeling in 1995.

[00:13:57] It's quite evident. The whole premise between Andy, I said Andy,

[00:14:03] between Woody and Buzz was basically a testosterone fight between two men,

[00:14:12] trying to show who is more relevant. And one person who is feeling like they're losing relevance,

[00:14:18] using his, you know, I guess, manliness to try to push the other person away.

[00:14:23] Very adult themes. The kids would not understand it, but like I said, it felt like,

[00:14:30] there was no major character in this film that was female and it kind of feels that way when you watch it today.

[00:14:40] A lot of movies after this felt much more balanced, I guess they hired better,

[00:14:46] but this one felt particularly outdated when it comes to that idea.

[00:14:51] The animation is great for the time, but as time goes on, like I said, the movie begins to look a little bit

[00:14:58] muggy and ugly. And I don't know how this movie is going to stand a test of time.

[00:15:07] In 10 years, when we have, you know, raytraced raypath, a path tracing in all the films,

[00:15:14] what it looks incredible, dogs look better. The question then becomes, can this movie survive

[00:15:21] being in this IMDB top 250, if when you watch it in the future, it feels like it shouldn't,

[00:15:29] it feels different. Or are they going to remake this movie and update this visuals to keep

[00:15:35] up with the times? I mean, does that kind of question that you have to ask about as well?

[00:15:39] Movies not long, it's short, so there's not much I can see about the timing. The script is tight,

[00:15:45] is that much I can say about that, but I think generally speaking, the idea that everything just

[00:15:54] falls into place just to move the plot along is both interesting and one of those things where

[00:16:03] you have to go. We're playing with fate here and things are just moving just exactly as you want

[00:16:10] to so you can get to this point. So, you know, the movie is interesting but I feel like some of the

[00:16:18] ideas are a little bit men focused which is not bad, but there's some sharp edges that could have

[00:16:29] been smooth out and for movie that is up for kids, which is typically what they say, this

[00:16:39] movie is very adult. I don't focus, yeah, because it's interesting because you were saying that

[00:16:48] at the time it came out you were telling you already started watching James Bond and the like

[00:16:54] and talk about the main focused films, like those are even worse in that sense, I think.

[00:16:59] Yeah, but it's not a cartoon, James Bond is not a cartoon. But it's still kind of a fantasy story.

[00:17:06] Fair enough. So, you're kind of applying conventions, you're misapplying conventions that are

[00:17:13] half been happening in film forever to the children's film, I think that's a little unfair.

[00:17:20] To your point about the animation, the fascinating thing I thought about how animation

[00:17:26] looks in this film is that whenever it stays in Andy's room, it's brilliant.

[00:17:35] Whenever the locality of things is very confined and small, it's brilliant. When I go outside

[00:17:41] it gets a little iffy. The fascinating thing I thought was whenever a person

[00:17:47] is involved, that starts to look really freaky but it's also kind of from the perspective of toys.

[00:17:54] So it's kind of okay anyway because the toys look great. The toys have all different textures,

[00:18:00] like the female toys like super shiny and glossy and we have the toy soldiers that have the

[00:18:06] little casting lines on the side. It looks great, it works. So I think it still holds up.

[00:18:13] This movie came out around the time Jurassic Park came out, I believe right? So it's like

[00:18:19] two very different, different ends of the animation spectrum but both hold up in their own

[00:18:25] respective ways. I think that Rex was a reference to Jurassic Park probably. Yeah, it has lots

[00:18:33] of cute little details when they have the little training montage and everybody has

[00:18:38] has to say and then two Rex just has the little dowel. It's like oh, I can't do it, it's funny.

[00:18:44] Humor is pretty good in this. I wanted to talk about something that I think,

[00:18:52] that I thought was just fascinating because I think there's a slide of hand happening in this film.

[00:19:00] Two degree, I think the real antagonist of this film is Woody and Sid is kind of a misunderstood

[00:19:08] abuse kid and I think that's kind of great in the sense because I was going to talk about

[00:19:19] that as the last time, as my last one but I'll let you finish that go into my perspective.

[00:19:25] Like I think it's good that again, it's a kids film right? So you want to be able to

[00:19:32] have kids kind of see themselves in a way and I think that everybody knows the kid like Sid.

[00:19:40] Like everybody knows the kid like Sid but then when we go into his house, we can understand

[00:19:47] why he is the way he is but I also think he gets played for a horror but

[00:19:53] like an actuality the toys that he creates. Like there's some sort of creativity involved there too,

[00:19:58] right? Like yes, played for first, oh god, this is creepy and yet it looked creepy but at the end of

[00:20:05] the day like he created something new that was very helpful in the final life film. Right? So

[00:20:10] is that a bad thing? I don't know. I don't necessarily think so, right? So there's I think

[00:20:16] that what we're learning here is that even in face value, something looks bad,

[00:20:22] everybody has a potential to do to create something. I think that's a great story that you

[00:20:27] can take away from it. Now Woody, I think is he's kind of the antagonist but is played out

[00:20:33] to be the hero which I find fascinating. He's kind of a jerk. He's this cocky just like, oh

[00:20:41] I'll show you the ropes. I know how it's going and then he's like down, borderline trying to kill

[00:20:47] him. It's like what are you doing my dude? Fascinating. I thought I was fascinating. Oh,

[00:20:53] with you. I was just, I was going to bring up the story about Sid as my last

[00:21:01] banker for the things that I thought was wrong with this film. The fact that he's

[00:21:06] taking the ties Sid as a bad character in the way and the fact that as part of the essence of this

[00:21:14] film they basically turned the last part of the film into a horror film which really scared kids

[00:21:22] to watch this movie growing up. For adults it's a little bit odd, not a problem but for kids growing

[00:21:28] up they're basically trying to stifle that kind of creativity in a sense and I was watching

[00:21:37] this movie was just thinking oh my god they have basically traumatized Sid for the rest of his life.

[00:21:44] He's going to tell kids people that story and they're not going to believe in whatsoever

[00:21:49] as it's rocking in his chair in the same world. It's totally unfair to him. I guess I do

[00:21:58] agree with that you know what's his name? Woody is the bad character in this film. A lot of the

[00:22:05] decisions and a lot of the plot were driven by his decisions in this film and his inability to accept

[00:22:13] the fact that he could be number two in the lineup. I mean I think that was what I was

[00:22:22] alluding to when I'm talking about the testosterone driven storyline where the competition

[00:22:29] is so high that just jumping from number one to number two was enough to trigger scenarios of jealousy

[00:22:39] pushing toys off the ledge intentionally or not his decisions led to it. And we give him a smooth

[00:22:48] ending at the end where they become friends because they have to walk together but I think that that is

[00:22:55] like I said one of the problems with this film is that the plot just seems to take a long and

[00:22:59] everybody just marks everything and everything seems perfectly closed. When in reality it's scenario

[00:23:05] like that cannot be perfectly closed like that but in a sense it's a kids film but in a sense

[00:23:11] it's an adult film so the tone is quite weird and I don't watch in the film knows for real that

[00:23:18] Woody and Buzz will always look at themselves with suspicion and wouldn't just be friends

[00:23:25] but as a kid everything just seems tough but the tone is very adult focused. Living the horror scenes

[00:23:32] that we see in Sid's house are very adult focused but you know it's a consistent tone but you know

[00:23:43] it is what it is. Do you think it's an inconsistent because you're looking at it from an old age now

[00:23:50] because I would think that kids will not pick up on any consistent tones. Yes they will not pick up

[00:23:57] on a lot of the jokes that are but their kids would also not will not pick up on questions like hey

[00:24:04] admiring your wingspan or things along those lines kids are not going to pick up on that

[00:24:11] yours I don't believe that that man's ever beat a medical school that is a very adult joke

[00:24:18] you know kids are not going to pick up on that so the kids are going to pick up on visuals

[00:24:23] totally but the kids are not going to pick up on you know what they are saying so in a sense it's like

[00:24:32] the story is following two plot lines the first plot line is what if kids see and the second plot

[00:24:38] line is what they are adults see and for the adult who's watching the movie the movie feels a little

[00:24:45] the plot is too simple but it's mixed with very adult jokes very adult in the window very

[00:24:58] adult themes like existentialism and depression but you know and when you're looking at it from that perspective

[00:25:07] the movie wrapping up in a neat ball just feels inconsistent with what we're watching

[00:25:13] but I guess if you're a kid and everything just flies over your head the visuals make it look

[00:25:18] quite well so for that perspective is basically what I'm saying the stone is inconsistent

[00:25:25] not sure I agree but I'm not sure I have anything like to speak against but that's fine that's why

[00:25:31] that's all I had hey it's more than how to argue against it I have to fight

[00:25:36] you know you could go to the cypher yeah

[00:25:43] oh roll cypher guilty I think they live briefcase in my chain stop beaver on the witness

[00:25:48] arrest we could totally be lawyers well cypher cypher cypher I mean what can I really say this movie is

[00:25:55] very good I don't have I mean the criticism's I have I'm not entirely false

[00:26:04] I want to attack but I do think that in some scenarios I may have stretched reality to make it work

[00:26:17] Lincoln's system tone is understandable for example because it's primarily

[00:26:24] primarily get to his kids and making sure that parents who go watch this film is entertained too

[00:26:32] so I mean that's why pecks of films do very well what I do think that you know for future

[00:26:38] references there are lots of references in this movie that play very well in future like the claw

[00:26:47] and people who've watched Toy Story 4 know the claw plays a very interesting point

[00:26:52] interesting part in that story so yeah there's a lot of things for future for future kids

[00:26:59] who've grown into weird dolls to appreciate it yeah I think the brilliance of Toy Story is

[00:27:06] like all the things all the little things they gave us did our like aside from the main

[00:27:11] so right so the three eye day aliens put the claw the claw is power this is so good I love the design

[00:27:20] I love the the whole kind of weird cultiness around them it's fantastic yeah I love dinosaur

[00:27:27] like the two X's great I've a t-shirt that I want to go to this and then

[00:27:31] that is a mashup of that dinosaur but a power Ranger so it looks like the power Ranger thing but

[00:27:38] the the circle logo is the T-Rex from Toy Story so good so it's it's funny I think you could

[00:27:46] take about it's such a male point of view is very warranted because pretty much the

[00:27:54] only female characters are the moms the sister of Sid and then the Betty

[00:28:03] the the shepherd lady and the shepherd lady is thirsty as hell like oh my god that's the

[00:28:10] only thing she does and it's like holy what right and it's so that's wild if you see

[00:28:18] that as an adult because it's like okay so the only female characters are basically always the men

[00:28:25] yeah support the men and it's um like I said I think I think the argument with Sid is

[00:28:36] kind of fascinating because they can play it both ways I think the the way that

[00:28:41] at face value how they play it is like he's a scary kid everybody knows a scary kid that

[00:28:46] bullies people but I think we do see the the glimps into why that is and this his house his family

[00:28:54] is not as welcoming as uh and he's house right and like there's clearly some form of abuse happening

[00:29:03] which he kind of funnels into abusing toys and I find it fascinating I think that that

[00:29:12] like that will go over kids heads obviously but I think the adults will hopefully see it and

[00:29:18] will not be like okay that's a dumb ass kid right that is Andy like how can any

[00:29:26] multiple times in the story just like put a toy at a very very a distinct place

[00:29:32] like in a car right next to him and then they do something come back and it's like

[00:29:37] great my toys go away right and this completely forget that's the wild thing about me and I

[00:29:43] I'm granted I'm not around kids much you are maybe that is accurate maybe kids just have

[00:29:49] the attention span of golfish I don't know but I find that wild that it happens multiple times

[00:29:54] and then they show up in a box right next to him and he's like oh there they are and it's like

[00:29:59] dude like the box was next to you at all time yeah yeah that's kind of weird Andy this is a weird

[00:30:09] person I mean you can't really fault the film the issues of timing um like even the

[00:30:19] the arguments I had about the visuals I think they're valid but I think that I don't know if

[00:30:26] they can ever be remedied but you know doing this they'll probably be making it to a live action story

[00:30:32] um look at it yeah I don't really have much else to say it's this the more this group was too tight

[00:30:41] to be able to really go in and say hey the script is bad the script is all right I think that

[00:30:48] just on the line factors are the only thing like point and poke of finger into yeah I mean

[00:30:54] maybe last like I think but the more we were talking the more I thought about our doing to review

[00:31:01] and in a sense you kind of have similar things when bus or I've straight and then everybody wants

[00:31:06] to believe he he is the space man that can fly and then he does the flying thing right so it's a sign

[00:31:12] it's he's the great word he's haha yes it's all just got a cute coincidence but at that point

[00:31:21] bus is also just delusion on himself so um and again Woody how such a such a jerk it's just like

[00:31:32] just like you are a toy completely disillusion you know it's it's like

[00:31:37] you you have your dream job and then somebody else comes in and it's like you will never be able to do that

[00:31:43] yep exactly right and it's such a yeah not not likable I don't know why people like Woody

[00:31:52] I think we would like Woody especially because at the very end of the film his decisions was

[00:31:58] was what led his actions in supporting um Woody called it bus and seen a way to get to the end even

[00:32:09] if bus took some initiative to true to whole process the fact that he never gave up on bus

[00:32:16] is the reason why people love him and I think his character never really changes to be fair

[00:32:22] I think that a lot of people you just have to accept Woody as what Woody is and I think

[00:32:27] is a well-rounded character from that respect we all have our insecurities right so yeah

[00:32:34] the fact that they created Woody to be that way I think is a testament to the brilliance of the

[00:32:40] organization of this film to be fair because we never really see characters like that in

[00:32:46] titular rose in titular rose maybe never played the main character there was play second

[00:32:52] fiddle or third fiddle to the main character so the fact that they made him the highlight of the show

[00:32:57] was it's quite impressive in itself alright well that's all I had you know what the next highlight

[00:33:07] of the show will be oh what would it be it would be a dust boat oh that's but I'm sharing

[00:33:15] classic that I've never seen oh there isn't that that's the submarine film yep there's four hours

[00:33:22] long I'm pretty sure that type of that script will be tight oh I'm the pieces two and a half hours

[00:33:29] but oh which version are we watching that's a good question let's see what's available

[00:33:39] there's a three-hour thirty-one thirty-three minutes version we can figure that out offline

[00:33:48] yeah what we do so I guess I can tell you where to find us you can find us on Instagram or

[00:33:56] Twitter or Facebook or should I say Twitter x you can find us an x on at movie mistrial and if you

[00:34:05] feel like it you can send us an email to contact the movie mistral account we'll try to figure

[00:34:11] out which version of the movie we're gonna watch and then we'll get back to you in the next episode

[00:34:16] see you next time bye bye