Episode 88 - Once Upon A Time in America

[00:00:16] [SPEAKER_00]: You swear to tell the truth, the whole truth and nothing but the truth so help you God.

[00:00:47] [SPEAKER_01]: The movie starts with a dinner and you're patient and limited role puts season veterans of mob films,

[00:00:54] [SPEAKER_01]: and James Wood, James Wood's who plays the character Max.

[00:00:59] [SPEAKER_02]: Upon release, the film was widely criticized due to the incoherence of its shorter linear cut.

[00:01:05] [SPEAKER_02]: However, with its restoration to the intended length and non-linear storytelling, it is now regarded

[00:01:11] [SPEAKER_02]: by a vocal minority as one of the all-time grades.

[00:01:15] [SPEAKER_01]: But before we board a drink from the radiator, I have to ask, how are you doing today?

[00:01:21] [SPEAKER_02]: I am doing great. I came back from a trip to Europe. It was fantastic.

[00:01:29] [SPEAKER_02]: And I could tell many stories about Europe but the thing that gives me joy in a weirdly stupid way

[00:01:37] [SPEAKER_02]: is a film that we've seen at its M-9's latest film, Trap.

[00:01:44] [SPEAKER_02]: The great of Trap?

[00:01:46] [SPEAKER_01]: Does it follow every single M-9 channel on a routine in this movie?

[00:01:53] [SPEAKER_01]: Is it as predictable? I think that when M-9 channel started, he was great because he was unpredictable,

[00:02:01] [SPEAKER_01]: but as every movie comes along, he has become more and more predictable.

[00:02:04] [SPEAKER_01]: I've seen the reviews of the movie. It's not great.

[00:02:08] [SPEAKER_01]: No. Is this one of the cases where M-9 channel is just being M-9 channeled on?

[00:02:14] [SPEAKER_02]: Yeah, it's so... So the pitch was great. The pitch is think of a serial killer

[00:02:20] [SPEAKER_02]: being at the arous tour of Taylor Swift. That pitch is cool.

[00:02:27] [SPEAKER_02]: Great idea. I think that M-9's M-9's forte is having great ideas.

[00:02:35] [SPEAKER_02]: His downfall is, he's not able to execute them because what we've got, it's kind of like

[00:02:39] [SPEAKER_02]: we have the arous to our home and what this movie is. So he wrote this for his daughter and

[00:02:47] [SPEAKER_02]: bless her heart. She's trying to be a music artist and they try to make it like she's a big star.

[00:02:55] [SPEAKER_02]: She unfortunately cannot pull it off into songs or so forgettable.

[00:03:00] [SPEAKER_02]: Does she wrote them? No.

[00:03:02] [SPEAKER_02]: Keep doing it. It's great. You know, do you think it's...

[00:03:07] [SPEAKER_02]: It's fine. It's nothing great in my opinion.

[00:03:12] [SPEAKER_02]: But who am I to say? This movie happens at a concert at a stadium concert and it just feels like

[00:03:21] [SPEAKER_02]: M-9 has never been to a stadium concert because none of this is how any of those works.

[00:03:29] [SPEAKER_02]: So in the middle of the concert, he and the daughter, so the main character, who's the killer,

[00:03:38] [SPEAKER_02]: in the middle of the concert. So his daughter is a big fan. They have floor seats.

[00:03:43] [SPEAKER_02]: And an element of the concert when they change the set. They go get some merch

[00:03:52] [SPEAKER_02]: and the daughter wants to have a T-shirt and she's like, oh I want that T-shirt and size S and then

[00:03:57] [SPEAKER_02]: this other person shows up right next to her. It's like, I was the first, I want that shirt in size

[00:04:02] [SPEAKER_02]: S and loan behold what happens is only one shirt left in size S. So what happens is the

[00:04:10] [SPEAKER_02]: set, just heart knit is like, well we can be nice. Let them have this shirt and then the merch

[00:04:18] [SPEAKER_02]: salesperson is like, oh you're such a wholesome loving family that's so nice come back in 10

[00:04:23] [SPEAKER_02]: minutes and we'll have another shirt in size S. It's like this is not how any of those works.

[00:04:28] [SPEAKER_02]: This is the manufacturing in the back. And it's the other instance that I thought was hilarious

[00:04:35] [SPEAKER_02]: in the middle of the show at some point stadium seats. It's a stadium show, they have floor seats

[00:04:43] [SPEAKER_02]: at some point they're right by the body aisle at some point the floor opens

[00:04:48] [SPEAKER_02]: and in the aisle where people walk usually and it's an egress kind of thing. So if an

[00:04:54] [SPEAKER_02]: emergency happens people need that aisle right the floor opens and and as piece of stage comes up

[00:05:01] [SPEAKER_02]: and some guest rapper shows up and there's no barricades around it there's nothing. It's crazy

[00:05:08] [SPEAKER_02]: dangerous would never happen especially on the floor of us like this is not how any of this works right

[00:05:14] [SPEAKER_02]: but then but then the dialogue that happens during a show is the dad is he's trying to find an

[00:05:20] [SPEAKER_02]: exit because there's police all over right and he's a serial killer they're looking for it.

[00:05:30] [SPEAKER_02]: Wouldn't that be fun if we check that out and she has she has the realistic

[00:05:38] [SPEAKER_02]: just rebuttler of like a no stopping weird because I'm here to watch the show

[00:05:46] [SPEAKER_02]: total one of crawling the in the rafters oh in the belly of the it's a lot of bad it's just like

[00:05:53] [SPEAKER_02]: sounds strange it's very strange and it's just like none of this is how any of this works like

[00:05:57] [SPEAKER_02]: you never been to a concert can you do a little bit of research and just ask if you can be

[00:06:03] [SPEAKER_02]: behind the scenes of a concert to figure out how any of this works to look at more believable please

[00:06:09] [SPEAKER_02]: but all that said it was it's classic at night where you think a kd ideas is great and like I liked

[00:06:16] [SPEAKER_02]: old it had weird dialogue to do cannot write proper dialogue to say there's like anymore I don't know

[00:06:23] [SPEAKER_02]: happened after his first films but it seems like the latest films are just cranked out or

[00:06:28] [SPEAKER_02]: he needs somebody that sits down and just helps him write the dialogue because that looks terrible

[00:06:34] [SPEAKER_02]: but yeah it's still gay people because it's just so ridiculous how about yourself yeah you know

[00:06:40] [SPEAKER_01]: me I just finished I watched Deadpool I won't go too much into it but I will I will say that

[00:06:47] [SPEAKER_01]: for fans of the Fox version of X-Men they're gonna get a lot of band riff from this film I really

[00:06:57] [SPEAKER_01]: enjoyed the film great cameos interesting um recognition of bro brohood I guess and it had

[00:07:11] [SPEAKER_01]: surprising heart so I I really quite enjoyed it there are a couple more movies that I saw

[00:07:18] [SPEAKER_01]: Beverly Hills called four which was very surprisingly good I didn't think I would like it but

[00:07:28] [SPEAKER_01]: I did I liked it a lot then I watched the older ones and I thought that there was a lot of

[00:07:32] [SPEAKER_01]: parallels that were going on and finally I saw the Indiana Jones movie the latest one he did

[00:07:40] [SPEAKER_01]: and Blimey was I blown away by how much I liked it it felt like the old

[00:07:45] [SPEAKER_01]: old Indiana Jones movies again I didn't go and see it in the movie theater because the last one the

[00:07:51] [SPEAKER_01]: one with the aliens kind of like I just wrote off all Indiana Jones films but this one was like

[00:07:57] [SPEAKER_01]: wow surprisingly good I didn't anticipate that was gonna like it I thought the reviews were a little bit

[00:08:03] [SPEAKER_01]: but when I watched it at the end of the movie I was like yeah indeed yeah those are really really

[00:08:10] [SPEAKER_01]: enjoyed it I couldn't believe how much I did so yes Indiana Jones is back baby with its last

[00:08:16] [SPEAKER_02]: film the show yeah give give Harrison for the rest yeah so in the line of things we enjoyed

[00:08:28] [SPEAKER_02]: maybe once upon a time in America yeah one of those films that I feel like

[00:08:37] [SPEAKER_02]: so I was in the DVD collection game for quite a while when it was younger and I that's one of

[00:08:44] [SPEAKER_02]: those films who just had to have and I had it on DVD I never watched it I realized because I watched

[00:08:55] [SPEAKER_01]: I thought I'd seen it too but in a realized I only saw like the very beginning

[00:09:00] [SPEAKER_01]: by never finished the movie because if I had finished the movie I probably would have remembered this movie

[00:09:07] [SPEAKER_02]: yeah yeah and so like we mentioned in the introduction and sorry apparently that was a short

[00:09:14] [SPEAKER_02]: cut it's about 90 minutes I think or two hours yeah there was a 12 or something okay yeah it was

[00:09:25] [SPEAKER_02]: the original cut and it was linear so what what the tells us is that the what we got

[00:09:34] [SPEAKER_02]: it's an almost for our cut almost up it was long and it's told nonlinear and we talk about

[00:09:39] [SPEAKER_02]: I'm showing the arguments but yeah it's it's a very different vibe it's a very different film

[00:09:46] [SPEAKER_02]: and seems like and then we also mentioned that Joe Pashy has a limited role it seems like

[00:09:51] [SPEAKER_02]: his role was a lot bigger in the script but then got cut down I just yeah there's also

[00:10:00] [SPEAKER_01]: there's also a six hour cut of this film there's a six hour cut yeah wow okay that sounds like a

[00:10:08] [SPEAKER_02]: it's called the complete cut can you get that on streaming anyway because I was sorry I don't know

[00:10:17] [SPEAKER_01]: before I yeah so I think it was it might be available in Europe I don't know

[00:10:30] [SPEAKER_01]: it said the many cars the forever lost cancelled cost the European theatrical

[00:10:35] [SPEAKER_01]: they're complete cost and oh the six hour cut is now lost to history

[00:10:42] [SPEAKER_01]: so what I did existed at some point and the the studios kind of said all right let's

[00:10:49] [SPEAKER_01]: cut this down to three hours 15 minutes maybe I don't know I don't I can't imagine anybody sitting

[00:10:58] [SPEAKER_01]: in the movie theater for six hours it's a it's a little bit indulgent of a director

[00:11:07] [SPEAKER_01]: to make a six hour film it doesn't make sense because it seems like he doesn't care

[00:11:15] [SPEAKER_01]: what do people who are watching his movies have time to do I say I'm not going to go to the

[00:11:20] [SPEAKER_01]: movie theater for six hours there's no business in that anyway I mean we're kind of going

[00:11:25] [SPEAKER_02]: into the film a lot of the rings extended cut ultra will come for your lunch now but

[00:11:32] [SPEAKER_01]: the the lot of rings extended cut are like four hours four hour films but they were only

[00:11:37] [SPEAKER_01]: released in limited scope in movie theaters most of us got to see like the two hour 45

[00:11:43] [SPEAKER_01]: minute version of three hour version three hour films are still in I guess you still see movies

[00:11:50] [SPEAKER_01]: the three hour time limits that that is more manageable than a four hour film or a six hour film

[00:12:04] [SPEAKER_01]: so yeah three hours is like it's too long but we can deal with it if we have to but

[00:12:13] [SPEAKER_02]: four hour film is too long yeah I hope you know it's a long film I hope this

[00:12:22] [SPEAKER_02]: analysis that we're all gonna hear next is not gonna be as long once upon a time in America

[00:12:31] [SPEAKER_02]: is an epic crime drama directed by Sir Joliane chronicling the lives of a group of

[00:12:35] [SPEAKER_02]: Jewish gangsters the New York City across several decades the story is centered around David

[00:12:40] [SPEAKER_02]: Nudel's Erranton played by Robert Nero as a reflex on his life of crime friendship love and

[00:12:46] [SPEAKER_02]: betrayal through a non-linear narrative the film we've together Nudel's rise in the criminal

[00:12:51] [SPEAKER_02]: underworld during the prohibition era is deep ons with his childhood friends and the haunting

[00:12:57] [SPEAKER_02]: consequences of their actions over the years with its sweeping cinematography rich character

[00:13:02] [SPEAKER_02]: development and evocative score by any o moricona once upon a time in America is a powerful

[00:13:07] [SPEAKER_02]: exploration of memory regret and the passage of time cementing its place as a classic in

[00:13:13] [SPEAKER_02]: the gangster genre okay I hope everybody had a drink and we'll dive into the discussion but

[00:13:27] [SPEAKER_02]: before we can do that we need to what's it gonna be my friend I'm gonna go ahead

[00:13:33] [SPEAKER_02]: ahead so it is I'm gonna go ahead guess this film oh that's a shocker

[00:13:44] [SPEAKER_02]: wow uh uh uh uh stages yours witness will address this court as judge or you're on all right

[00:13:51] [SPEAKER_01]: once upon a time in America it feels like a film written by a non-English person who is stuck in

[00:14:03] [SPEAKER_01]: the 1960s era of western films trying to make an audience appreciate the life of an American Jew

[00:14:15] [SPEAKER_01]: where the person who made this film doesn't understand what it is to be Jewish doesn't

[00:14:21] [SPEAKER_01]: understand what it means to speak English and doesn't understand what it means to go through the American

[00:14:29] [SPEAKER_01]: experience so we get a long movie with disjointed dialogues caricature characters bus of violence

[00:14:40] [SPEAKER_01]: and an insurmountable weird fetish I mean it's not just so much insurmountable it's

[00:14:51] [SPEAKER_01]: unforgivable weird fetish which with sexualizing women at the pleasure of men and you watch this

[00:15:02] [SPEAKER_01]: movie and you can't you can't wrap your head around what the coherency of the story is

[00:15:12] [SPEAKER_01]: the characters are not likeable noodles is undeveloped max is undeveloped all the other characters

[00:15:22] [SPEAKER_01]: forgettable I don't even remember their names um and they don't exist to drive this story forward

[00:15:31] [SPEAKER_01]: so the purpose of this film is completely lost the coherent idea behind it is lost and what we

[00:15:40] [SPEAKER_01]: are seeing where men are standing and women are judging who graped me in the bankruptcy by playing around

[00:15:52] [SPEAKER_01]: with their penises that is what we get in this film and I know a lot of people like this movie

[00:15:58] [SPEAKER_01]: because despite everything I've said right now there's still some good technical aspects of it

[00:16:04] [SPEAKER_01]: the music is good but I want you to think about this just think about this this guy has the love of

[00:16:13] [SPEAKER_01]: his life he's loved her all his life since he was a kid he's been watching her like a creep

[00:16:22] [SPEAKER_01]: weirdo standing in front of bathrooms watching her dance he finally goes to watch her dance

[00:16:27] [SPEAKER_01]: and she tells him I'm moving to Hollywood and he goes were wow I guess we're gonna go some

[00:16:37] [SPEAKER_01]: great in the car right now oh my god he does so comes out of the car

[00:16:46] [SPEAKER_01]: throws money at the driver and the lady and then he starts to walk

[00:16:53] [SPEAKER_01]: towards the ocean and the camera zooms out zooms out and it plays this

[00:16:59] [SPEAKER_01]: somber music of somebody who is pondering life as he walks towards the ocean and I was going

[00:17:07] [SPEAKER_01]: what the heck am I watching who plays this somber music when they just oh my god all right

[00:17:15] [SPEAKER_01]: I think you guys get the very you get the vibe you get the vibe this movie is all sorts of messy all sorts

[00:17:23] [SPEAKER_01]: of messy with I expect of technical goodness but it doesn't make up for how ridiculous this movie is

[00:17:33] [SPEAKER_01]: and it might have been okay in the 80s for people to talk about this stuff like this I don't know why

[00:17:41] [SPEAKER_01]: this was a real rated movie in the 80s white has an 8.6 in IMDB who is reviewing this

[00:17:48] [SPEAKER_01]: movies this movie doesn't hold up in today's time all the movies that we've talked about

[00:17:56] [SPEAKER_01]: and previously that you know didn't have any feeling for women or whatever this movie is the worst

[00:18:04] [SPEAKER_01]: of them still worst of them because all the women in this movie are just play cards for the

[00:18:09] [SPEAKER_01]: two toy with with no consequences no consequences all right that's my opinion travel you have to

[00:18:18] [SPEAKER_02]: flow you are not the defense rest no kidding so you're touching on a lot of things that are

[00:18:36] [SPEAKER_02]: questionable but I think as as the environment of the scene that's kind of the part of the

[00:18:45] [SPEAKER_02]: machismo kind of stuff but anyway I want to point out the brilliance of this film the brilliance of this film

[00:18:50] [SPEAKER_02]: lies in the cinematography and the score the performance and I think the brilliance also lies in a

[00:19:03] [SPEAKER_02]: structure a little bit and like I mentioned in the intro this is non-linear and it's it's

[00:19:13] [SPEAKER_02]: keeping on your toes for quite a bit because we're jumping around like crazy in this film

[00:19:18] [SPEAKER_02]: which I'm being from the 20s to the 60s back to the 30s to the 20s like we're jumping

[00:19:26] [SPEAKER_02]: more back and forth than Marty McFly and what are the cheeses that it's keeping us on our toes

[00:19:36] [SPEAKER_02]: the whole time and keeping us invested there's little things that make this really interesting

[00:19:43] [SPEAKER_02]: and bizarre but work namely one of the transitions happen a detrain station when he's looking at

[00:19:51] [SPEAKER_02]: big mural of Coney Island he being a main character Robert Near or Noodle's and the music shifts into

[00:20:02] [SPEAKER_02]: very weird rendition of yesterday and first it was like this does not work at all why are we doing this

[00:20:09] [SPEAKER_02]: but then it makes sense because we switch to the 60s which is then like that places us

[00:20:14] [SPEAKER_02]: musically in the right era fantastic in the mural changed as well it's very different everybody

[00:20:20] [SPEAKER_02]: has different close great transition that just artistically is interesting it's not just a

[00:20:27] [SPEAKER_02]: hard cut with a little text in there and it's like we were in 1960 whatever now right it's

[00:20:32] [SPEAKER_02]: it's mood setting and it's jarring but it works in the because again it kind of makes you feel

[00:20:39] [SPEAKER_02]: this doesn't fit what is happening and to think that happens a lot in this film but it's one

[00:20:44] [SPEAKER_02]: of the strings of the film because as we try to unfold the mystery within the story of what happened

[00:20:52] [SPEAKER_02]: after the after the events of the end of the prohibition when all his friends I when he finds all

[00:21:01] [SPEAKER_02]: his friends dead he tried to betray them but then he runs away and he tries to 30 years later he

[00:21:07] [SPEAKER_02]: has to figure out what happened this jarring kind of back and forth where we learned more about

[00:21:14] [SPEAKER_02]: him and his friends and where he came from and what brought him to betray his friends is also

[00:21:23] [SPEAKER_02]: it's very gripping it's an interesting way to tell us or he kind of keeps you engaged it keeps

[00:21:29] [SPEAKER_02]: you engaged for a cast of characters that are all severely like none of them are any likeable hero type

[00:21:38] [SPEAKER_02]: of people even the Robert New York characters is scumbag you shouldn't like him because he doesn't

[00:21:46] [SPEAKER_02]: really have any routine equalities we don't learn anything of what he did in the 30 years we just

[00:21:52] [SPEAKER_02]: learned that he moves to Buffalo on the different name and then came back so yeah the music is

[00:22:01] [SPEAKER_02]: fantastic any of Maricone does the thing that he does he has very clear motifs that show up

[00:22:10] [SPEAKER_02]: over and over and over again sometimes bizarrely so but again it's keeping keeping you on your toes

[00:22:20] [SPEAKER_02]: and this is just a gorgeous film there are so many shots in here that are brilliant and very

[00:22:28] [SPEAKER_02]: pretty the the very iconic broken bridge scenes that are also on the cover of this

[00:22:36] [SPEAKER_02]: beautiful that that version of New York and kind of the time it's it's almost like it's a you know

[00:22:48] [SPEAKER_02]: trajectory like Gainesville New York is heading to or more years I would think for a couple more

[00:22:56] [SPEAKER_02]: years and 30 but it's it's kind of believable that what we established there is is kind of

[00:23:03] [SPEAKER_02]: like the extension of what we're seeing in one's upon on time in America and that think that is

[00:23:09] [SPEAKER_02]: very fascinating I think the from a story perspective the probably vision area is also just a fascinating

[00:23:14] [SPEAKER_02]: piece of history that can only be aptly dealt with by a non-American directorized because it's

[00:23:27] [SPEAKER_02]: it's not glorifying it at all and it's not it's it's it's a byproduct of everything that we're seeing

[00:23:34] [SPEAKER_02]: but we have weird things like let's tap the radiator to get our our booze just just to see a very

[00:23:43] [SPEAKER_02]: real life example of provision but yeah I'll let you speak for a little bit

[00:23:50] [SPEAKER_01]: you know it's interesting you know I think a lot of the things you mentioned that other

[00:23:57] [SPEAKER_01]: discussions you've had right now about the for example technical aspects of the film

[00:24:03] [SPEAKER_01]: make a lot of sense I agree with you but I think that one of the things that really kills me

[00:24:09] [SPEAKER_01]: still the eco-herence of the film like given you know they celebrate in for example the end

[00:24:15] [SPEAKER_01]: of the prohibition her and one of the things that what you call it new those tells Max is like hey

[00:24:23] [SPEAKER_01]: prohibition is ending in December on the guys like you know what our adventure is coming to an end

[00:24:31] [SPEAKER_01]: we're going to be bankrupt just cutting us out of the job but then the only time we really get to see them

[00:24:40] [SPEAKER_01]: doing this is because they had a bar right so they had a swanky bar a swanky joint

[00:24:47] [SPEAKER_01]: run by mo where where they had people it was a speedy easy where we came to dance and they

[00:24:56] [SPEAKER_01]: had alcohol and all of the shenanigans and that was one of their options but they never emphasized

[00:25:03] [SPEAKER_01]: that specific aspect try to film is people had done rubies of diamonds

[00:25:10] [SPEAKER_01]: they had stolen from big people from gangsters they had walked with drug laws on how to keep

[00:25:17] [SPEAKER_01]: their drugs within the New York Bay they didn't really have a significant reliance

[00:25:28] [SPEAKER_01]: on the alcohol so it was weird when at the end of prohibition Max goes well that's the

[00:25:38] [SPEAKER_01]: the kick in us out of a job and I keep going but that's not really your job you guys do all sorts

[00:25:45] [SPEAKER_01]: of weird things and that was established throughout the film gangsters will call on you guys to

[00:25:51] [SPEAKER_01]: beat up union bosses to get votes still diamonds do all sorts of gangsters stuff that they don't

[00:26:01] [SPEAKER_01]: want to get their hands dirty with kill our folks you guys did all sorts of things so there was no

[00:26:09] [SPEAKER_01]: there was no there was no jump to oh prohibition is over all of a sudden we cannot

[00:26:17] [SPEAKER_01]: not going to be able to do anything and we still have the opportunity to kill people you still

[00:26:22] [SPEAKER_01]: have a opportunity to rob from people diamonds and not going anywhere you can still drive all

[00:26:27] [SPEAKER_01]: the way to Detroit and steal some diamonds so and then this is where it even gets weirder

[00:26:35] [SPEAKER_01]: I have a dream I want to rob the federal reserve and you're like okay that is a major leap

[00:26:44] [SPEAKER_01]: that is a huge leap and the reason why they were in Florida in the first place was because

[00:26:50] [SPEAKER_01]: once his name Nudu said he doesn't he doesn't want to work for anyone he wants to just

[00:26:56] [SPEAKER_01]: spread into rest of his life relaxing right so it just feels weird okay so Nudu is having this

[00:27:04] [SPEAKER_01]: draw thought all right cool let's get rid of him let's put him in jail put myself in jail

[00:27:10] [SPEAKER_01]: so that you know we don't have to we don't have to go through with this federal reserve

[00:27:19] [SPEAKER_01]: crime which would always be a suicide and as she's talking to him in the car about this he's

[00:27:26] [SPEAKER_01]: sitting that with Max's girlfriend and she's like oh you do what you do best and tell and convince

[00:27:33] [SPEAKER_01]: him and she turns to him and he goes he's not screwing me anymore and I was like oh wow okay

[00:27:39] [SPEAKER_01]: fascinating Max finds out knocks him out cold they go and do the robbery apparently Max's

[00:27:49] [SPEAKER_01]: burns to a crisp in doing the robbery and Nudu's buried him with Mo in the Mosulia Mo

[00:28:00] [SPEAKER_01]: where they call those huge rooms they're buried there and then at the end of the film guess who the

[00:28:07] [SPEAKER_01]: netter is it's Max and he's like hand me a gun and shoot me in the head and you're like oh wow

[00:28:15] [SPEAKER_01]: whoa all your life you've existed you're so rich everybody knows who you are that newspaper articles

[00:28:24] [SPEAKER_01]: about you there are people who didn't use videos they has to be right you can't just be in the

[00:28:37] [SPEAKER_01]: swanky guys and a homeboy doesn't recognize you he was talking like a soldier was a recorder in

[00:28:45] [SPEAKER_01]: the room right every single time he says something it was like a senator Billy I don't know anything

[00:28:51] [SPEAKER_01]: about this I just want to be with my friends it was basically trying to avoid it having to admit

[00:28:57] [SPEAKER_01]: anything to Max at that particular point he doesn't want to shoot Max he wants to go he goes out of the

[00:29:03] [SPEAKER_01]: house a truck comes up Max appears jumps into the back of the truck when we see the truck driving

[00:29:11] [SPEAKER_01]: we see a lot of spikes but no blood this movie has not been worried about showing blood for a long

[00:29:17] [SPEAKER_01]: time you've seen all sorts of ketchup mixes in this film we shooting getting shot in the

[00:29:23] [SPEAKER_01]: leg ketchup all over it we get to the back of the truck and we see no blood and we're like what the

[00:29:33] [SPEAKER_01]: just like that I don't know if Billy's dead or not did he run away did he try to Mexico

[00:29:39] [SPEAKER_01]: did he disappear into the ocean did he get burnt again it doesn't matter the movie's

[00:29:44] [SPEAKER_01]: incoherent doesn't make any sense the idea of their friendship the bond when they jumped into

[00:29:52] [SPEAKER_01]: the water and Max disappeared by the end of the film that bond doesn't exist anymore so if this

[00:29:57] [SPEAKER_01]: story about friends and loyalty there was no loyalty and there was no friendship anymore but

[00:30:04] [SPEAKER_01]: into this film anytime the guy said he was crazy he was punching him in the head with the back

[00:30:09] [SPEAKER_01]: in the back of the head with a gun and knocking him out how is that a friendship?

[00:30:15] [SPEAKER_01]: what's the point I'm telling America? once I ran it for a long time like that so

[00:30:22] [SPEAKER_02]: I think the movie has a lot of ways to interpret it and that is one of the strengths

[00:30:29] [SPEAKER_02]: thank you for bringing up the jumping to the water and the Max disappears for a little bit

[00:30:35] [SPEAKER_02]: and then shows up again because I think that is foreshadowing up what happens in the end

[00:30:41] [SPEAKER_02]: right Max disappears he's dead and then he shows up again

[00:30:47] [SPEAKER_02]: but so the way I took a lot of this film is we start off in an opium then and we ultimately

[00:30:58] [SPEAKER_02]: finished there too so this this is cycle there it starts with a very interesting and jarring

[00:31:11] [SPEAKER_02]: phone call like the phone rings whoever and it gives us like one or two fake outs where people

[00:31:16] [SPEAKER_02]: pick up a phone but it's not the phone that that is actually ringing and then it ends with

[00:31:23] [SPEAKER_02]: a phone call to the police and that's when he when the mirror wakes up noodles wakes up

[00:31:29] [SPEAKER_02]: but kind of guilt written so I think that that's why we learn okay he called a police and he

[00:31:35] [SPEAKER_02]: is kind of a shame to have said how I take all of this and a lot of the future stuff for

[00:31:43] [SPEAKER_02]: all that is in my headcat and like a lot of this is an opium fever dream in a way and it's

[00:31:57] [SPEAKER_02]: okay what is the the best path and kind of what is happening to all of these people

[00:32:03] [SPEAKER_02]: once I read them out and what is happening to me right i get get away Scott free

[00:32:08] [SPEAKER_02]: and it's fine I'm gonna be fine I'm gonna live somewhere else I'm not dealing with any of this

[00:32:14] [SPEAKER_02]: the person that has shown to betray me in a way right and kind of not always been super forthcoming

[00:32:23] [SPEAKER_02]: even though we're friends Max is pulling the exact same thing then is that he's done

[00:32:32] [SPEAKER_02]: and in the past mainly the thing in a harbor right where he's he's doing the whole

[00:32:37] [SPEAKER_02]: on disappearing but I'm coming back kind of things so I kind of feel like there is there's a connection

[00:32:41] [SPEAKER_02]: there that's moving into that fever dream or that that opium dream and the other friends

[00:32:55] [SPEAKER_02]: are part of the gang they're kind of not important right they're done they're burned

[00:33:03] [SPEAKER_02]: and we learned that we've learned he sees that before he goes into the opium then so they're already

[00:33:10] [SPEAKER_02]: gone and kind of forgotten but Max is the only one that they had a stronger bond with and that

[00:33:17] [SPEAKER_02]: has kind of a history of pulling tricks so I think that's why we see him return but

[00:33:24] [SPEAKER_02]: all of that right I think a lot of noodles character is on and the story that we're seeing is trying to

[00:33:35] [SPEAKER_02]: to figure out how to deal with the past and then kind of trying to figure what happened

[00:33:43] [SPEAKER_02]: right like who who betrayed them who took the money and what happened in the 30 years after

[00:33:51] [SPEAKER_02]: and I don't think we get a lot of answers and the reason why we don't get many answers is because

[00:33:56] [SPEAKER_02]: he doesn't know and it's everything from his perspective it's all just kind of fantasy like it's

[00:34:01] [SPEAKER_02]: said that that Max is that senator and it's outrageous to believe that noodles has not figured that out

[00:34:10] [SPEAKER_02]: it has not seen him before because he lives in buffalo it's the same state right like you would think

[00:34:17] [SPEAKER_02]: that that you you would know that but for whatever reason like that connections never mate

[00:34:22] [SPEAKER_02]: but I think it makes sense if you take it from the perspective of it's just weird fantasy thing

[00:34:28] [SPEAKER_02]: that he's trying to just work through and all that it's also the also kind of explains the

[00:34:38] [SPEAKER_02]: his dream relationship with the dancer with most sister or he fantasizes about her so much and

[00:34:45] [SPEAKER_02]: then that like in the past he wanted to be together with her so much and then what ends up happening

[00:34:51] [SPEAKER_02]: is he uses her and then loses her but that's kind of the the path of the thing that he always

[00:35:02] [SPEAKER_02]: wanted he takes that from from her and then he throws away like any other woman that he's

[00:35:08] [SPEAKER_02]: presumably like that that's kind of all that we've seen right there's a lot of

[00:35:13] [SPEAKER_02]: great paying as you said in this film and that's that's just kind of the general

[00:35:18] [SPEAKER_02]: way they deal with women here unfortunately it's not great I have other thoughts on all

[00:35:24] [SPEAKER_02]: that with undertones but we'll go in the general discussion about that so to me

[00:35:34] [SPEAKER_02]: while I tend to agree there's not necessarily a lot of resolution at sense I take it from

[00:35:44] [SPEAKER_02]: from an opium mind kind of way of trying to deal with what happened in my past

[00:35:51] [SPEAKER_02]: like does that give me any clues into into what could happen in the future in a way and from

[00:35:58] [SPEAKER_02]: perspective I think it's a very interesting film it's not super satisfactory because ultimately

[00:36:04] [SPEAKER_02]: everything is just happening in this weird one-sided view that is not very reliable but it's still

[00:36:12] [SPEAKER_02]: like a gorgeous film very like it's like captivating interesting film while we're at it

[00:36:18] [SPEAKER_01]: so the issue with the the theory of the dream sequence is the fact that in the original length

[00:36:27] [SPEAKER_01]: of the film the long one the longer one they had scenes where noodles was not even in the scene

[00:36:34] [SPEAKER_01]: so the original intent of the director was betrayed in that I mean the cut the film they

[00:36:41] [SPEAKER_01]: may have cut the film to make it look like there's a possibility that you know

[00:36:50] [SPEAKER_01]: those are the possibility that it was a dream sequence but I don't buy that I don't buy that number one

[00:36:58] [SPEAKER_01]: being the fact that you know the director had a cut of the film where they had point of view

[00:37:03] [SPEAKER_01]: of the other characters that didn't include noodles right and also the fact that it seemed more

[00:37:18] [SPEAKER_01]: like a flashback than a dream like every single place he went to he was confronted with an idea

[00:37:30] [SPEAKER_01]: that resulted in a fully formed history or background like what is he saw the guy in the TV

[00:37:39] [SPEAKER_01]: TV who was working with a cane that resulted in a flashback way was dealing with the union bosses

[00:37:45] [SPEAKER_01]: and the gangs at that particular time which ended up resulting in him getting this leg shot

[00:37:52] [SPEAKER_01]: that was a whole story coherent story it was a coherent story right it was a coherent story which

[00:37:59] [SPEAKER_01]: led to a future where the guy was working with the cane all the stories were coherent until the

[00:38:05] [SPEAKER_01]: last one where he sees like those people driving past him in a 1920s car celebrating a party

[00:38:13] [SPEAKER_01]: and it fades back into the the Chinese room where everybody's doing the opium and he smiles at

[00:38:20] [SPEAKER_01]: the end of the film but every other dream was coherent that was the only incoherent one

[00:38:26] [SPEAKER_01]: and I cannot for the life of me used that as an excuse to say that this whole move I'm not going

[00:38:34] [SPEAKER_01]: to absolve the director of this what sort of opium dream resulting in two grape sings and

[00:38:43] [SPEAKER_01]: man this movie was was weird and I will I will say that you know the second theory was that

[00:38:50] [SPEAKER_01]: Max had the hearts for for noodles since there were kids and he's just angry that he never got

[00:38:56] [SPEAKER_01]: to experience that that's that's that was the vibe my wife got immediately he didn't know what the film

[00:39:03] [SPEAKER_01]: was just walked into the film and goes is it gay for him and I was like I don't think so what

[00:39:10] [SPEAKER_01]: then as I watched the movie more and more I'm like okay maybe there is some validity to this

[00:39:16] [SPEAKER_01]: there's some sexual tension between the two of them and when he's now punching him in the gun

[00:39:23] [SPEAKER_01]: and saving his crazy it's like oh man on the life's potential I'm gonna hit you in the back

[00:39:31] [SPEAKER_01]: of the head because you don't want to have sex with me all right cool I'm gonna shut up

[00:39:37] [SPEAKER_02]: it's good I'm very tempted to go to the to cyber now because I want to touch upon that as well

[00:39:43] [SPEAKER_02]: just a quick because we were saying like so I think whatever happened in the past can be

[00:39:50] [SPEAKER_02]: we worked into future dream kind of thing where your brain is just kind of trying to deal with

[00:39:55] [SPEAKER_02]: whatever your experience and just so I think kind of a logical conclusion there would be

[00:40:01] [SPEAKER_02]: that your brain is filling in the blanks and kind of continuing that so it would be

[00:40:07] [SPEAKER_02]: it would be believable to me that somebody you beat up in your dreams will have a cane in a way

[00:40:14] [SPEAKER_02]: one of the reasons why I feel my theory of it's all kind of a dream is because something like

[00:40:20] [SPEAKER_02]: something relatively tangible like him being on the train station when the transition with the

[00:40:34] [SPEAKER_02]: it's like you're filling in the blank like this 30 years of nothing but it's still rooted

[00:40:40] [SPEAKER_02]: in something that he knows right it's almost in a way like he's never been to Buffalo in New York so

[00:40:46] [SPEAKER_02]: he cannot really show anything like his mind does not know what that is but he's familiar with

[00:40:51] [SPEAKER_02]: the train station so that's anchoring him back okay he's back from there so that's just kind of

[00:41:01] [SPEAKER_02]: but yeah I happy to go through the site part if you don't have anything.

[00:41:05] [SPEAKER_01]: We can one last thing you mentioned the fact that the water scene

[00:41:13] [SPEAKER_01]: when he jumped into the water and then he comes back and he said the boat and they embraced each other

[00:41:18] [SPEAKER_01]: like oh Max you jumped into the water to take a peek of my panties but you're up the boat okay

[00:41:27] [SPEAKER_01]: that was that was interesting I didn't think about that but I also want to point out that the two

[00:41:34] [SPEAKER_01]: reactions between the children were totally different one was surprise and embrace

[00:41:40] [SPEAKER_01]: surprise fear and embrace did them was surprise disgust and rejection so totally different

[00:41:51] [SPEAKER_01]: experiences from those two but I thought it was interesting that you brought that up so I'm ready to go to the

[00:41:56] [SPEAKER_00]: sidebar oh roll sidebar guilty speculation here say they live briefcase this regard in my

[00:42:01] [SPEAKER_00]: chain stop beaver on the witness arrest like a totally beloious type of fascinating that

[00:42:07] [SPEAKER_02]: that your wife picked up on that as well it was very early on we were like oh man did this is a very

[00:42:14] [SPEAKER_01]: gay story I couldn't I mean I couldn't I mean even was in the back of my head it was just like

[00:42:23] [SPEAKER_01]: tranquil I didn't think about it like that but my wife saw it as she immediately went for that yeah yeah and

[00:42:31] [SPEAKER_02]: there's clues right there's clues there and most of the max has a thing for for noodles

[00:42:36] [SPEAKER_02]: right then beyond the ground but because their noodles is all into into the dancer check

[00:42:44] [SPEAKER_02]: but there's clues with max there's clues when when they're on the rooftop

[00:42:51] [SPEAKER_02]: exploring the cop right and then and max has a go with the Jennifer said her name Peggy Peggy

[00:42:59] [SPEAKER_02]: right and and they're joking so go you know you um the laughing at him because it cannot get it up

[00:43:05] [SPEAKER_02]: right and that's that's one of the clues where it's like how interesting right because he's kind of

[00:43:10] [SPEAKER_02]: in the social structure of like it's expected from to perform now but he can't yeah right um he ends up

[00:43:16] [SPEAKER_02]: having a kid at the end but again it's like social structure like that is expected of him but

[00:43:21] [SPEAKER_02]: there was very like the way he looks at him all the time it's just very much like oh okay he's into it

[00:43:28] [SPEAKER_02]: there's also a very weird kind of kink thing that we clocked in fairly early

[00:43:36] [SPEAKER_02]: and that's like golden shower related because especially early on there's a lot of

[00:43:41] [SPEAKER_02]: a lot of that where you know we see people urinating uh we kind of make it out to be that they are

[00:43:50] [SPEAKER_02]: urinating on the newspaper stand um later the gasoline thing which again might be a

[00:43:58] [SPEAKER_02]: a secular kind of thing right whereas like this is something in a past that happened they had

[00:44:02] [SPEAKER_02]: some kind of flammable agent um and lit something up and then you know you have the union kind of thing

[00:44:08] [SPEAKER_02]: where they want to put the union dude on fire um but like a lot of that has kind of these connotations

[00:44:17] [SPEAKER_02]: of it's kind of that kinky kind of thing um I found that very fascinating uh it's not

[00:44:22] [SPEAKER_02]: resolved in any shape of a form but yeah so there's this a lot of that boom the calm what is

[00:44:28] [SPEAKER_02]: uh what is such a really own telling us here even though it's not really addressed well yeah yeah

[00:44:35] [SPEAKER_01]: I think that the more I think about it the more I think that I didn't want to think about

[00:44:41] [SPEAKER_01]: the scene with Peggy um as an indicator of it too just like when you mentioned it sorry my

[00:44:47] [SPEAKER_01]: daughter is in a room now um when you mentioned it um it made a lot of sense immediately

[00:44:54] [SPEAKER_01]: because I would that would explain everything that would explain it would create a thread

[00:44:59] [SPEAKER_01]: a good enough thread that you can go alright there he's a coherent story um so yeah that's

[00:45:07] [SPEAKER_01]: very interesting I don't think a lot of people talk about it from that perspective um I've seen some

[00:45:12] [SPEAKER_01]: conversation about it but my wife was very perceptive too to it immediately I wasn't so much

[00:45:23] [SPEAKER_01]: because I kept focusing on the violence that was happening

[00:45:26] [SPEAKER_01]: uh and I was like it doesn't feel like a movie that was written for people who were interested in

[00:45:34] [SPEAKER_01]: it gave them as it feels like it's a hyper masculine film um but it then makes a lot of sense

[00:45:41] [SPEAKER_01]: when you think of it the character of Max doesn't feel fulfilled well also the the way women are treated

[00:45:49] [SPEAKER_02]: could unfortunately uh could be an indication of that too right because it's like um their

[00:45:58] [SPEAKER_02]: lesser than so you can use them for that um and that's the only thing they're they're in quotes

[00:46:06] [SPEAKER_02]: coming good for not not saying that that's they're not agreeing with that obviously right but that's

[00:46:12] [SPEAKER_02]: if you take from that perspective um the there might be something there but but again it's also

[00:46:20] [SPEAKER_02]: that the neuro such a like the noodles is such a unreliable uh narrative here that

[00:46:29] [SPEAKER_02]: another layer could be that he always thought that's that's what Max was up to but they've never

[00:46:40] [SPEAKER_02]: complex and you would think and I think that that's what makes it so interesting that said

[00:46:45] [SPEAKER_02]: I don't want to sit through this again it's a way too long uh I kind of fell asleep in a

[00:46:51] [SPEAKER_02]: middle of towards the end um when he's talking to the um instead the actress like us with the white face

[00:47:00] [SPEAKER_02]: when I talk to the kid like yeah I'm a someone bad because I was just tired you know she

[00:47:07] [SPEAKER_01]: was doing some racist shit right there it's interesting like they get you some stuff like that

[00:47:13] [SPEAKER_01]: it's like well what what the hell what show was she doing anyway going? No so yeah so I missed a

[00:47:19] [SPEAKER_02]: little bit there and it's um I don't know it's it's way too long for the story that they're telling

[00:47:34] [SPEAKER_02]: and it's and I the thing that the non-linear story telling is it's interesting but it's also very confusing

[00:47:42] [SPEAKER_02]: because everybody looks at say nobody ages really well right like it's it's like the the the

[00:47:53] [SPEAKER_02]: neuro of the the 30s very much looks like the neuro of the 60s yes and everybody else too

[00:48:01] [SPEAKER_02]: the only thing they're changing is like a little gray and the temple so it's very beautiful

[00:48:05] [SPEAKER_01]: and they added a couple of wrinkle lines below his eyes you know the interesting thing is

[00:48:09] [SPEAKER_01]: I was watching this movie and I was going you know when the neuro was younger they were trying

[00:48:14] [SPEAKER_01]: to make him older not I is older trying to make him younger it's such a weird cycle you know

[00:48:20] [SPEAKER_01]: but it is it is interesting I'm gonna say all the things that dislike about this movie

[00:48:26] [SPEAKER_01]: the thing I hated the most was the fact that the characters were not likeable in any way

[00:48:32] [SPEAKER_01]: I think he was unforgivable that they went into that doctor's room with the kids and they switched

[00:48:38] [SPEAKER_01]: the babies so that the police officer doesn't get his son but it also affects all the other parents

[00:48:45] [SPEAKER_01]: who just gave birth and they didn't care about that and then when the union was at the end goes

[00:48:52] [SPEAKER_01]: if we wouldn't have been able to do it without your ingenuity I was really disgusted with those

[00:48:57] [SPEAKER_01]: guys too so this movie doesn't give you any heroes to anchor or to like another fan yeah yeah

[00:49:06] [SPEAKER_02]: it's the for a movie that is at least in my perception on par with with the other big mob

[00:49:14] [SPEAKER_02]: movies got fellas and then godfather this is clearly the weakest of the bunch because it's

[00:49:22] [SPEAKER_02]: it doesn't even have kind of the glorious provider of the mob which I think lots of people are

[00:49:29] [SPEAKER_02]: drawn into in that genre because none of these people are likeable and none of these people live

[00:49:36] [SPEAKER_02]: that lavish over lifestyle and then like I said the the bizarre way he turns on on the love of his life

[00:49:45] [SPEAKER_02]: with taking her out to dinner and this lavish thing and then she's she's the one I'm

[00:49:53] [SPEAKER_02]: I'm gonna go to Hollywood and then it's like well what are you doing yeah why why

[00:50:05] [SPEAKER_02]: painful painful to watch and also painful to no redeeming qualities what's her up no none

[00:50:15] [SPEAKER_02]: and that's ultimately one of the the problems here there's no redeeming qualities for 99%

[00:50:23] [SPEAKER_02]: of the characters yeah yeah and that that's not necessarily make a good movie like you

[00:50:31] [SPEAKER_02]: there might be a good anti-hero film and I think we've seen joker I think you could see that as an

[00:50:38] [SPEAKER_02]: anti-hero film and you have at least sympathy with him because he has big mental health issues

[00:50:43] [SPEAKER_02]: that's not happening here though that explains it right so yeah agreed yeah

[00:50:54] [SPEAKER_02]: beautifully shot oh can we talk about the friend with the with the freaking

[00:50:59] [SPEAKER_02]: with the with the freaking pipe that he plays that melody all going over again oh yeah

[00:51:08] [SPEAKER_01]: his role was just a new girl and he's way to easy it's just distracted drop the feel

[00:51:14] [SPEAKER_02]: but you know so I just picture you grew up ever since you were a 10 year old kid

[00:51:22] [SPEAKER_02]: and you have your friends circle of friends and there's this one friend with the weird eyes

[00:51:27] [SPEAKER_02]: that has this flute kind of thing and he plays one melody and it's kind of the soundtrack of

[00:51:34] [SPEAKER_02]: and you feel cool when you when you're 10 12 15 16 and 20 years later you're 30 mid 30s

[00:51:42] [SPEAKER_02]: and you sit in the room and he's still playing the freaking same melody it's like I know it's very

[00:51:50] [SPEAKER_01]: good learner another song stop it so so hilarious it's like it's good that you pointed it out

[00:52:00] [SPEAKER_01]: very for getting about it because it just so soon but it's like do that small things that like

[00:52:05] [SPEAKER_01]: really that really bug you about this film too is like you watch like we watch a couple of

[00:52:13] [SPEAKER_01]: I mean we've seen so couple of Japanese movies and we talk about my wife and I we talk about

[00:52:18] [SPEAKER_01]: Pony over lot and in Pony we've seen some scenes where the woman is standing by a car

[00:52:24] [SPEAKER_01]: the wind is blowing you see the individual strands in a hair blowing and you see a reflection of

[00:52:30] [SPEAKER_01]: her in the mirror and you're like wow it's so small things that make this movie great because they

[00:52:36] [SPEAKER_01]: try to immerse you into this world it's an animated world but they're focusing on the small things

[00:52:41] [SPEAKER_01]: but in this movie it's those small things that just annoy you it's like you're just thinking

[00:52:46] [SPEAKER_01]: this guy has been playing the same tune for almost 30 years and it's like dude let a new tune

[00:52:56] [SPEAKER_02]: yeah it's like cool still playing the same song I do it's not a school anymore it's like

[00:53:02] [SPEAKER_02]: it's like a friend that has a catchphrase and like after 30 years like

[00:53:07] [SPEAKER_02]: okay can we stop it's the circle yes you did that right it's like

[00:53:16] [SPEAKER_02]: and and that I was surgery on it and any of Moriko and I think they fell into that trap a lot

[00:53:24] [SPEAKER_02]: because the film's tend to be very long the music tends to be good but it tends to be overused

[00:53:30] [SPEAKER_02]: over and over and over again and that less and less impact for me

[00:53:37] [SPEAKER_02]: because we only have five five motifs and five songs that we can play so let's play them for four hours

[00:53:46] [SPEAKER_01]: a set of degree and the weird thing was some of the songs came out inappropriate

[00:53:54] [SPEAKER_01]: and some of the things that are significant about scheduling on films about those

[00:53:59] [SPEAKER_01]: straight shots into actors eyes and the long focus was just annoying in some of the scenes

[00:54:06] [SPEAKER_01]: anyway I think we'd be this movie to a part but at this point I think anything that we go for

[00:54:11] [SPEAKER_02]: further with is probably gonna be small cakes yeah yeah one little thing that I just popped

[00:54:18] [SPEAKER_02]: in my mind in the very beginning they're very clean outline with gunshots on the bed

[00:54:25] [SPEAKER_02]: I don't know what that was about but it's like the outline of a person on the bed

[00:54:31] [SPEAKER_02]: I don't know if you remember that it was like what the hell

[00:54:37] [SPEAKER_01]: yeah yeah it's very I mean I think it's I don't know I didn't know maybe it was a

[00:54:43] [SPEAKER_01]: perspective theme because this whole movie the whole the board that wrote this film the list of

[00:54:49] [SPEAKER_01]: people who were involved in making of this film were all Italian I can help but feel like they

[00:54:54] [SPEAKER_01]: didn't understand the essence of being American and the middle movie about being American

[00:54:59] [SPEAKER_02]: yeah well we're leaving America for the next film

[00:55:06] [SPEAKER_02]: because as a film that's snuck in it seems like the switch places with this one we will be talking

[00:55:11] [SPEAKER_01]: about three idiots that's another three hour film right that's the Indian one it's an

[00:55:19] [SPEAKER_02]: Indian film and it is two hours 15 minutes I do like American but I'm gonna I'm gonna

[00:55:33] [SPEAKER_01]: preface this and say that I have a feeling that this movie is gonna have a lot of long scenes

[00:55:39] [SPEAKER_01]: where the ideas could have been diluted into shorter scenes I can already tell but I would be

[00:55:48] [SPEAKER_01]: excited to see it again I love Kareena Kapoor Khan and I'm a fan of Amir Khan so it's gonna be an

[00:55:55] [SPEAKER_01]: interesting for you to watch I'm gonna go find us okay find us oh man I really can't believe

[00:56:04] [SPEAKER_01]: I'm going back to this we can find us on Twitter but we really need to get out of Twitter man we

[00:56:09] [SPEAKER_01]: need to get out of X we need to figure out where else we can find us find us an X you can find us on

[00:56:15] [SPEAKER_01]: Facebook you can find us on Instagram on a movie mistrow send us a message that we can we'll get back

[00:56:22] [SPEAKER_02]: to you are you can send us an email too contact that movie mistrow all right say say everybody

[00:56:29] [SPEAKER_01]: YouTube and I really apologize my kid isn't a background now she just jumped in and I can't get rid of her

[00:56:39] [SPEAKER_01]: so she's she's she's boiling here I'm gonna go play with her for this hope you guys have a good

[00:56:43] [SPEAKER_01]: rest of your time